This little piece—consisting of minimally tweaked diary entries and a preface that is “finished” only as an ethical articulation of its historical moment—originally claimed to imitate cinema: by leaving you to your own anticipation of effects and application of references. It also was meant to elicit your tactile and temporal responses as a booklet on paper, for which you would control the pace of realizing its associations with your present surroundings, memories, and received knowledge (surely you have the time!). The format seems less important now, however, for those aspects of experiencing media are as important as always, so I remind you just in case.
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Ellen Takata researches forms of postwar responsibility for media, memory and emotion in the German and Japanese-speaking worlds, largely through what she terms an “ethics of belonging”: reading interconnected implications of harm and comfort through histories, literatures and imageries from (and of) various cultures in legacies of causing and receiving harm. She is currently a PhD candidate at the University of California, Santa Cruz.